Nekomimi Music

I must admit, I've been remiss for not posting this sooner. But until recently, I had sort of misplaced the link. Anyway, for anyone who's interested in arrangements of anime music, LevoLution is a must-visit. The "Sound" page has several remixes by a guy named "Lix", who is a very skilled electronic artist. Titles remixed include a lot of games, several of which have been made into anime, including Tsukihime (月姫) and AIR, plus anime-style games like Imperishable Night (which has amazing music of its own), and the Final Fantasy series. They are seriously hot stuff, especially if you like trance, dance, and similar stuff. There has been some talk on Anime Remix lately about anime remixers outside of the United States, and most of us have been hard-pressed to actually find any. The game remix scene also seems to be very biased towards the English-speaking part of the world. If you know of any other cool Japanese remixers - so far all we know of are CROW'S CLAW and Lix - then please let us know!

Oh, how I love the season of new anime starting. And that means this month. Expect a stream of good stuff, since this season looks like it's going to be amazing. After El Cazador, next on my list is Hayate no Gokuto, also known as Hayate the Combat Butler. It's animated in high definition in a style that matches the manga almost too closely: seeing such simple character designs in such detail is kind of off-putting. It's easy enough to get used to the art style, though, because the plot of the series is so absurdly hilarious.

The idea is that Hayate, a 16-year-old with the most irresponsible parents ever, has been abandoned with a debt and the yakuza are coming after him. Following in the vein of GAINAX's maid-comedy "He Is My Master", Hayate comes upon a rich young girl who is in need of a butler. After saving her life from kidnappers, she offers to protect him with the resources of her family, in exchange for his protecting her... from giant robots!

In terms of music (we like to forget it sometimes, but that's what this blog is really about), there's a great opening theme by KOTOKO, the singer you may recall from the excellent OP to Please Teacher! (and its sequel, but let's just forget that existed, ok?) as well as one of my favorite opening themes of all time, "Re-Sublimity" from Kannazuki no Miko. The ending theme is a surprisingly mellow song by the same group that did the Black Lagoon OP - only, this time they aren't trying really hard to speak Engrish and sound badass, so it works alright. It's still more or less your standard ED fare, though. The background music is provided by Kotaro Nakagawa, who's not exactly a newcomer (he did 1998's Geobreeders) but he hasn't worked on a lot of big series in the past, GunXSword and Code Geass being the recent exceptions. The sound he creates is average, so it's decent for scene-setting but nothing special on its own. At least it doesn't actually detract from the anime. (Black Lagoon for example had some moments where the songs being played were just... not appropriate to the mood. No problems like that here, so far.)

One of the weirdest and most distracting parts of this anime is that the "Voice of Heaven" is by Norio Wakamoto, the seiyuu of Onsokumaru from 2x2=Shinobuden ("Ninja Nonsense" in the States), in the exact same voice. I mean, this show is hardly more serious than that one, but having it be narrated by a perverted yellow spherical shapeshifter is a little odd nonetheless. The main voices, for Hayate and Nagi, are by Ryoko Shiraishi (Kaede, the ninja girl, from Negima) and Rie Kugimiya (Alphonse from FMA) respectively, but neither of them sounds very much like past roles I've heard them in. Apparently they were chosen on the recommendation of the manga artist, who named them and one other in an interview before the anime was made.

Overall, this is a pretty silly show, and it knows it, so it's pretty funny. Neither the music nor the animation is remarkable, but at least it's in high-definition, so it's probably worth watching more of. The concept alone is worth bearing out a little longer.

Finally, the series I've been waiting for is here. El Cazador de la Bruja (Spanish: "Witch Hunter") or just El Cazador for short, aired. At the time of this writing, raws are out as are subs in Spanish and Chinese, but no English just yet. Anyway, the series looks like it's everything I hoped and expected. Animation is Bee Train Digital, in 720p high definition, so it looks like a cross between Madlax and .hack//Roots. The character designs are pretty good; they look a lot more... cheery than usual. Nadi (the brunette) kind of reminds me of Nono from Gunbuster 2. Elyse bears a strong resemblance to other Bee Train characters, in case you hadn't noticed.

The plot so far is this: Elyse is on the run, because there's a bounty on her head for murdering someone, but she doesn't know how or why; she doesn't remember much. She does, however, seem to have some subconsciously-controlled witch powers. A mysterious company is observing her and it seems she is the subject of a "Project Leviathan". Nadi is just a bounty hunter of sorts (she tries never to kill if she can avoid it) who has decided to protect Elyse because a nice old woman asked her to. The old woman has told them to travel south, and given them an uncut red gem, which seems the same color as the stone on a necklace worn by a woman in the mysterious company.

The opening theme is "Hikari no Yukue" ("Whereabouts of the Stars") sung by savage genius, who also did the opening to Erementar Gerad ("Elemental Gelade" in the States). I'm willing to bet the song is composed and sequenced by Yuki Kajiura, though. It sounds like her type of deal. It's a great song and very catchy - sort of ethnic-influenced JPOP. The ending theme, "romanesque" is FictionJunctionYUUKA, which is Yuki Kajiura with Yuuka Nanri, a pairing we've seen several times, including the MADLAX opening and ending themes, a couple Gundam Seed insert songs, and most recently the OP to .hack//Roots. It sounds a lot like their regular stuff except with a much stronger focus on Spanish-style acoustic guitar. Being as the show takes place in Central or South America, that's pretty appropriate. The single for romanesque comes out April 18th. Background music is basically the same Yuki Kajiura that you've seen everywhere: mysterious chants, calm piano pieces, and excellent string-heavy electronic action songs. The sequence at the end of the episode has a great song with some nice guitar strumming and lyrics in Spanish - otherwise it sounds incredibly like the music from Tsubasa Chronicle. One song stood out as unusual tracks consists of some bluesy riffing on a harmonica, apparently catching some of that "wild west" feel. It works pretty well.

Oh yeah, and if you're a fan of voice actors, Nadi is voiced by Shizuki Itou, who's done a lot of roles that I mostly haven't seen, and Elyse is by Ai Shimizu, the voice of He Is My Master's Mitsuki, among others. Both are sort of medium-level talents so far as I can tell; they're alright for the roles but I'm not seeing anything special coming in Nadi's voice just yet.

In short, the show is more of the same from Bee Train and Yuki Kajiura; if you were a fan of Madlax and Noir, you'll love it, being as it's the same thing with a Central American twist. If you didn't like those shows, or if you're not looking for more of the same, forget it. But I know I'm going to be loving every bit.

So this comes a little bit late, but I might as well throw it out there - Anime Remix added a new song the other day, an old little sample-remix called "Totoro's Groove" by po! It's a goofy little groove with a chopped up sample from that fun old Ghibli movie, "My Neighbor Totoro". Not a totally complex or amazing remix, but it sounds pretty cool anyway.

What's more fun about this remix is what it signals for Anime Remix, which is that straight-up remixes - not just rearrangements - are now fair game for the site. Anime Remix, which has been hosting rearrangements of anime songs since 2002, made a decision that, legally, straight-up remixes weren't any less of a gray area than rearrangements, so catchy little songs like "Totoro's Groove" are just the beginning of what's possible. Check it out:

This is a bit of a follow up to a couple entries ago. Basically, starting at episode 20, Death Note has new opening and ending themes by Japanese metal band Maximum the Hormone. They're already drawing praise and criticism for the style, which is much more hardcore metal than the previous pop-rock themes by Nightmare (Thanks for the correction, Souzou!). Personally, I like the first pair a little better, but there's definitely something exciting about the blood-pulsing energy of the second opening. The visual style of the OP sequence is pretty interesting, too. Ryuk and MisaMisa are totally awesome in it. Take a look:

First off, let me apologize for the utter lack of posts in the past couple weeks. We've been following up various leads, and some of us are finding our free time less copious than usual: My spring semester started, and OverCoat (I'm glad to say) got a job. Congratulations! That's enough apologizing, though: let me introduce you to today's feature, a new type of article we're trying out: a remixer interview. Kicking off this process, I've interviewed Fray, also known as Nathan Monteleone of Arlington, Texas. Fray has one Anime Remix and one OC ReMix to his name, and has been an active member of the remixing community for some time. To let you in on a secret, I'm a big fan of his and find myself singing along to Shine embarrassingly, all the time. Then again, it seems like a lot of people who listen to the song have that experience.

mDuo13: Hello, Fray, and thanks for joining us. You've got one complete anime remix so far, yes? Care to tell us how you got into anime remixing in the first place?

Fray: Well, I remembered seeing the website in people's sigs on OCReMix. Seeing Haibane Renmei revived my interest in anime, so I hit up AR looking for Haibane remixes. And since I'd already been involved with video game remixing, the transition to anime was pretty natural from that point.

mDuo13: Ah, so how long have you been involved in video game remixing?

Fray: My first attempts go back to around early 2002, culminating in me actually getting a remix past the judges' panel on OCR in 2004.

mDuo13: So, what sort of musical training do you have?

Fray: I took 10 years of piano lessons starting around age 7. For all that I never got to be nearly as good as I should have been, but I could play some pretty technical pieces by the end of it. Scott Joplin rags were always my favorite. I played bassoon throughout high school, plus a few other wind instruments... and then completely slacked off of music in college after I got kicked out of the community orchestra there for being a bum.

mDuo13: *laughs* Bassoon, really? How is that?

Fray: Bassoon? It's really a fun instrument to play. Looks bizarre, sounds about as strange, and attracts lots of attention. There are a few problems with it though -- One, they're expensive as all hell, as are the reeds. To top it off, you can't just buy a reed and play on it, you usually have to do some work on them with a special knife, etc... Two, they're quiet, so no one hears you most of the time in an orchestra, and three, they're delicate.

mDuo13: Ah, well, that's too bad. I take it you haven't played any bassoon recently, then?

Fray: I've been wanting to use it in a remix sometime, actually. But I'm horribly out of practice -- you're right, I haven't played it in a couple years.

mDuo13: I look forward to seeing it. Anyway, that brings me to another question: what hardware and software do you use for mixing?

Fray: First, a disclaimer: I have more money than I have free time. As such, I have way more gear than is really necessary, and much of it I haven't used to the fullest. So if you want to get into remixing, don't think you need even half this stuff. People have sounded better than me using less than $100 worth of software.

mDuo13: *laughs* I'll keep this in mind.

Fray: So! I use Cakewalk Sonar 5, Producer edition as my main software. It's one of the best MIDI sequencers out there, and the audio stuff is starting to contend with the big daddies. I use it for just about everything -- recording my outside gear, fixing mistakes in MIDI tracks, mixing, effects, all that. It's also got some really nice software synths that come with it (Pentagon I is my favorite).

My Roland RD-600 is my main MIDI Controller; it's a stage piano, so it's got builtin sounds of its own -- they're pretty nice, but kinda limited to pianos, EP's, and organs. It has a few synths and things, but they're kinda crappy, so I turn to other sources for many of my sounds. The main draw, for me, is the keyboard feel. I wouldn't say it's a convincing replica of a real piano, but it definitely allows for very expressive playing, so generally, I lay down tracks using it. For some really simple stuff I'll click the notes into Sonar with a mouse, but generally I record MIDI off the RD-600.

A lot of the other sounds come from a Roland XV-5050 rack synth. It's more a jack of all trades; it's got everything from strings to brass to wacked out synths, and all the patches are very editable too. I also use a dave smith evolver -- it's a monophonic synth. It has real analog filters and oscillators in it, but it's got digital ones too - it's a hybrid. I use that when I want cool leads and basses, because it has a lot of its own character.

mDuo13: Anything else?

Fray: That's the main stuff. Other than that I have an Oktava MK-219 mic that I picked up on the cheap at Guitar Center. They were blowing them out for like $70. Oh, and autotune (haha). Couldn't live without that. I have decent pitch but I can't control my voice very well. Recently I got a novation remote 61 MIDI controller, which sits directly on my desk -- that can be really handy when I'm going back and forth between playing things on the keyboard and making edits in Sonar. The RD-600 is so huge that there's no way for me to access it and my computer keyboard/mouse easily at the same time.

mDuo13: Yeah, I can imagine.

Fray: Drums I usually get off my XV-5050. It has some really nice sets on it, but to be honest, I've never quite found a drum setup I'm comfortable with. I've tried a bunch of different ways of going about it, and all of them seem to be more of a pain than really necessary.

mDuo13: I see. So, what's your remixing process like, in general?

Fray: My best ideas definitely start with me banging around on the piano. I pick out the chords (or some variation on them) from a theme I like, and the remix usually grows from some way of riffing on that. From there I generally just layer stuff on for a while - synths, strings, that sort of stuff. I'll put down some real simple drums to begin with; the final drum part tends to come last. I probably should, but I never think much about the overall structure of the song from the beginning. I more lay down a section and think "ok what would sound cool after this?" I feel like I'm still in the noob phase when it comes to remixing process. I think I get away with it because I had so much music training in elementary-high school.

mDuo13: Now I wish I had actually stuck with piano lessons for more than a couple months.

Fray: I might add that I don't really think about effects much until the end. To me, the music is in the notes more than the production tricks -- which is not to say I don't enjoy the work of people who focus more on the latter. It's just how I think when doing my own work.

mDuo13: That makes sense. But, the real question is, why does it take you so long to make a single remix?

Fray: Damn good question. *laughs* Ultimately I think it's a matter of time. I serve too many masters, if you catch my drift.

mDuo13: I think a lot of us are familiar with that feeling. Do these other ''masters'' include any other musical stuff, like playing in a band?

Fray: Well, I was pretty involved with a band over the last year, although I just quit. I played my last show with them last weekend. Also, being married takes up quite a bit of time (but in a good way). Warcraft 3 also chews up quite a bit, at least if you play it like I do.

mDuo13: So tell us a bit more about this life outside of remixing. What do you do for a living? What's your wife like?

Fray: I'm a programmer for a living. I work for a defense contractor, so sometimes the work is interesting, and sometines it's mind numbing. Ultimately I'd like to do something else with my life; I'm not particularly crazy about the defense industry. My wife's a scientist for Mary Kay cosmetics. We met in college, on the first week actually. A couple months later I asked her out and we've been together since. She's quite literally the only girl I've ever dated. Guess I got lucky on the first try ^.^ I was kinda starting a relationship with someone else at the time, but I ditched her because Amanda was hotter and smarter. *laughs* Writing is her real passion, by the way, not science.

mDuo13: Writing? Do tell.

Fray: Yep, her foundation is gothic romance, although she's been pushing her stuff in a slightly more literary direction... In the Romance world, if you wanna get published, you kinda have to follow these preset formulas. She's taken more to ignoring those and writing whatever the heck she wants. She posts some of it up on her livejournal.

mDuo13: I wish her luck. More to the point, is there any chance of getting her involved in a future remix?

Fray: Actually, yeah, she has a really cool soprano voice that I'd love to use in a remix.

mDuo13: What sort of remixes do you have in the works, anyway? Anything right now?

Fray: Yes, two. One's a remix from the game Crystalis - that's sort of your usual epic trance video game affair. I still love that style, even if it's been beaten to death a bit. And the other one is a Chobits remix that's very much styled after Ben Folds Five ballads. It has its genesis in a compo very, very long ago.

mDuo13: Is there anything else you want to add before we go?

Fray: I'd like to say that I seriously love the remixing scene. Compared to playing clubs in a band, I feel like there's a much greater appreciation for musicality and creativity. I've always found it really inspiring, and I might have let playing music slip out of my life entirely if I hadn't been introduced to places like OCR and AR.

mDuo13: Well, thank you very much for joining us, and good luck with your remixes. I'll be sure to post them here when they're finished.

And that's that for our first interview. It was a lot of fun putting it together, and I'd like to extend my thanks to Fray for lending me a bit of his time, and to all of you reading it. If you're interested, Fray's two remixes are a Morrowind remix called Fear Not and a remix from Voices of a Distant Star, Shine. Fray has also generously granted us permission to host a direct download for Shine:

Fray - Voices of a Distant Star 'Shine' [mp3, 4.73mb]

So anyone who's anyone these days is following Death Note, the hit-manga-turned-hit-anime about a college student who finds a notebook that kills anyone whose names are written in it. Though some people will tell you they're only reading the manga, I'm here to tell you that watching the anime is totally a better experience because it has the power of incredibly dramatic music! They finally put out the soundtrack to the anime, not just the live-action movie, and it really is great, but it gets so intense, it's almost (almost) silly. I am serious here - this is the sort of OST that makes eating potato chips a matter of life and death. If you're looking for the most dramatic songs yet used in the anime, Kyrie is the sad, tense choral melody used when Light is being particularly evil; and Low of Solipsism is the dramatic song used in the potato chip incident. Both of them are heavy-handed orchestral themes with plenty of choir action in there. And then there are so songs that are so extreme, they haven't even been used yet (so far as I know) in the anime - such as Death Note Theme and the Sephiroth-killer Domine Kira, or as I like to call it, "One-Winged Light". There are plenty of other gems in the soundtrack that I'm sure I'll discover in their full right after a few days of listening, such as L's Theme and Shudder (Senritsu), both of which utilize a nice grainy electric guitar and a piano, and have pretty awesome melodies.

Overall, I'm quite impressed with the audio quality that Yoshihisa Hirano and Hideki Taniuchi have come up with here. It's not only an incredibly atmospheric soundtrack, setting the mood perfectly for the show - it's also quite listenable and with some songs that can really literally make anything intense. So next time you eat potato chips, you know where to turn.

Update: I have gone back and uploaded all the old fileden stuff to Dreamhost, so if you had any problems about downloading files from us before, there should be no such problems now - things should be consistent and blazing fast, too. If the RSS feed seems out of order, that's an unfortunate side-effect of all this. To celebrate our ability to host more stuff now, I've also uploaded a 30-second demo from the Death Note anime soundtrack:

Light's Theme [484k, .mp3]

So it's been known for a little while that the Haruhi DVDs in Japan were going to come with a special version of the ending theme with the entire dance - you know, that one that's been performed by Gundams, miscellaneous cosplayers, troupes of Japanese street dancers, and so forth. Well, it's finally here! I was linked to it on a DivX-based site, which requires you to install the "DivX Web Player." (Yeah, I know, sounds like a pain in the rear end but it was actually quite painless and worked pretty well. I'll keep you updated if something goes wrong on its account.)

Anyway, it looks pretty nice and I'm wondering how long it'll be - minutes? Days? Is it already too late? - before someone puts a video with them (or their stop-motion model figures) performing the full version of the dance!

So here we are: looking forward to the Spring 2007 anime season. Do you want to know how I look forward to new seasons? I check for new entries on Yuki Kajiura's profile page - if there's an anime on there I haven't heard of, it must be new. (Yes, I'm probably obsessed.) And so what did I find recently, but a new anime El Cazador (Full name: El Cazador de la Bruja, translation: Witch Hunter) with animation by Bee Train and music by Yuki Kajiura. The director, Koichi Mashimo, has already called it the third installment in his "girls with guns trilogy" which is funny because my first reaction when I heard the plot was "Oh, so it's Noir meets Trigun". Indeed, it takes after Noir and Madlax in pretty clear ways, as the plot summary makes clear:

The story predictably centers on two female characters: Ellis and Nadi. In the premise, Ellis is a murder suspect and finds herself on the run from an underground society called "Hunters" (possibly, the reason for the series' title). At some point, she meets a bounty hunter Nadi who is initially after the bounty on her head but eventually decides to help her pursue the truth about her past. Although by doing so, Nadi calls the Hunters' wrath upon herself, as well, she accompanies Ellis to her hometown. In a recent interview, Mashimo has revealed that Ellis is in fact a "witch" and her DNA has been modified by an entity (organization?) called "Leviathan", confirming his previous cryptic comments on the series.Source: Bee Train Fan Wiki

So the outlook is: if you liked Madlax and/or Noir, El Cazador sounds great. It seems that Mashimo is being sure to hit a variety of locales: Noir took place mostly in France, Madlax mostly in southeast Asia, and this one will be somewhere in the Wild West or South America. If you couldn't deal with the convoluted, style-over-substance plots of the first two series, you'll probably hate this show, too... but I'm telling you right now, the soundtrack is probably going to seriously rock.

There's another Bee Train + Yuki Kajiura anime for this spring, the third season of Tsubsa Chronicle, a show whose plot I've learned to despise, but whose soundtrack continues to expand with amazing music. (More on that later.) In any case, the series will pick up where it left off and with any luck it won't get renewed for another agonizingly progress-less season, but one has to worry about these things. It seems impossible that they'd change composers, though, so if you're a Kajiura fan, keep an eye out: this should be good.

There are some other upcoming anime worth noting, though not for their music. There's "Kishin Taisen Gigantic Formula", a mecha anime with designs by people from pretty much every mech anime ever. Take a gander at the list: Ikuto Yamashita (Evangelion, Blue Sub #6), Yutaka Izubuchi (Patlabor, RahXephon), Yasuhiro Moriki (Nadesico, Crest of the Stars), Takeshi Takakura (Appleseed), Shoji Kawamori (Macross, Escaflowne), Shinji Aramaki (Bubblegum Crisis), Shingo Takeba (Pilot Candidate), Kunio Okawara (Gundam series), Kimitoshi Yamane (Gundam Seed, Cowboy Bebop), Kazutaka Miyatake (Macross Plus, My-HIME), Kazumi Fujita (Zeta Gundam), Kanetake Ebikawa (Fullmetal Panic, Eureka 7), and newcomer Katsushi Murakami. Apparently each of them is designing one mech to represent one country in a massive battle for dominance in a post-apocalyptic world. Or something like that.

There's also "The Skull Man", an adaptation of the 1970s manga of the same name, done by (how appropriate is this?) Studio BONES. Music is by Shiro Sagisu, who did BGM for Evangelion and Bleach. Wikipedia summarizes the plot thusly:

There are mass murders and catastrophes all over Japan, committed by a masked/caped psychic madman called the Skull Man, and his shape-shifting aide Garo, who can turn into various powerful mutant monsters. The calamities caused by the Skull Man are investigated by the Tachiki Detective Agency, with the help of a young man named Tatsuo Kagura, the son of a yakuza in the Kagura Clan.

Anyway, that's enough babbling about what's to come. I suppose I should mention something that already happened. Namely, Redcavalier and I got real hosting and we moved. You can now access the blog from either http://nekomimimusic.redcavalier.com/ or http://nekomimimusic.mduo13.com/. I may add more later. Anyway, we got an amazing deal from DreamHost so we figured we may as well try it out. Over the next few days I'll be going over all the songs we've hosted and uploading them to this web space since we have so much bandwidth and it's so much faster and more reliable than what we've been dealing with before now! This also means we have plenty of opportunity to host new songs, so more than ever - if you have anime remixes, mashups, arrangements, live performances - let us know! (It's best to contact either mduo13 or overcoat on our gmail addresses... "overcoat" and "mduo13" at, well, you know where.)

P.S. if you're a fan of Taku Iwasaki, apparently he did the soundtrack for a movie that just premiered in Japan, entitled "Origin ~Spirits of the Past~". Unfortunately, I don't know anything about it. I'll keep you posted.