
Oh, how I love the season of new anime starting. And that means this month. Expect a stream of good stuff, since this season looks like it's going to be amazing. After El Cazador, next on my list is Hayate no Gokuto, also known as Hayate the Combat Butler. It's animated in high definition in a style that matches the manga almost too closely: seeing such simple character designs in such detail is kind of off-putting. It's easy enough to get used to the art style, though, because the plot of the series is so absurdly hilarious.
The idea is that Hayate, a 16-year-old with the most irresponsible parents ever, has been abandoned with a debt and the yakuza are coming after him. Following in the vein of GAINAX's maid-comedy "He Is My Master", Hayate comes upon a rich young girl who is in need of a butler. After saving her life from kidnappers, she offers to protect him with the resources of her family, in exchange for his protecting her... from giant robots!
In terms of music (we like to forget it sometimes, but that's what this blog is really about), there's a great opening theme by KOTOKO, the singer you may recall from the excellent OP to Please Teacher! (and its sequel, but let's just forget that existed, ok?) as well as one of my favorite opening themes of all time, "Re-Sublimity" from Kannazuki no Miko. The ending theme is a surprisingly mellow song by the same group that did the Black Lagoon OP - only, this time they aren't trying really hard to speak Engrish and sound badass, so it works alright. It's still more or less your standard ED fare, though. The background music is provided by Kotaro Nakagawa, who's not exactly a newcomer (he did 1998's Geobreeders) but he hasn't worked on a lot of big series in the past, GunXSword and Code Geass being the recent exceptions. The sound he creates is average, so it's decent for scene-setting but nothing special on its own. At least it doesn't actually detract from the anime. (Black Lagoon for example had some moments where the songs being played were just... not appropriate to the mood. No problems like that here, so far.)
One of the weirdest and most distracting parts of this anime is that the "Voice of Heaven" is by Norio Wakamoto, the seiyuu of Onsokumaru from 2x2=Shinobuden ("Ninja Nonsense" in the States), in the exact same voice. I mean, this show is hardly more serious than that one, but having it be narrated by a perverted yellow spherical shapeshifter is a little odd nonetheless. The main voices, for Hayate and Nagi, are by Ryoko Shiraishi (Kaede, the ninja girl, from Negima) and Rie Kugimiya (Alphonse from FMA) respectively, but neither of them sounds very much like past roles I've heard them in. Apparently they were chosen on the recommendation of the manga artist, who named them and one other in an interview before the anime was made.
Overall, this is a pretty silly show, and it knows it, so it's pretty funny. Neither the music nor the animation is remarkable, but at least it's in high-definition, so it's probably worth watching more of. The concept alone is worth bearing out a little longer.